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Sakai promised Tezuka a publishing spot from Ikuei Shuppan if he would work on the manga. Tezuka began talks with fellow manga creator Shichima Sakai, who pitched Tezuka a story based on Robert Louis Stevenson's classic adventure novel, Treasure Island.

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After World War II, at age 17, he published his first professional work, Diary of Ma-chan, which was serialized in the elementary school children's newspaper Shokokumin Shinbun in early 1946. Tezuka came to the realization that he could use manga as a means of helping to convince people to care for the world. During this time, he also began publishing his first professional works. In 1945, Tezuka was accepted into Osaka University and began studying medicine. ĭuring high school in 1944, Tezuka was drafted to work for a factory, supporting the Japanese war effort during World War II he simultaneously continued writing manga. During this period he created his first adept amateur works. Tezuka continued to develop his manga skills throughout his school career. It so resembled his own name that he adopted "Osamushi" as his pen name. Īround his fifth year, he found a ground beetle, known as "Osamushi" in Japanese. Later in life, he would state that the most important influence on his desire to be an animator was not Disney but the experience of watching the Chinese animation Princess Iron Fan as a child. Tezuka was also inspired by the works by Suihō Tagawa and Unno Juza. Tezuka started to draw comics around his second year of elementary school, in large part inspired by Disney animation he drew so much that his mother would have to erase pages in his notebook in order to keep up with his output.

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When Tezuka was young, his father showed him Walt Disney films and he became a Disney movie buff, seeing the films multiple times in a row, most famously seeing Bambi more than 80 times. He has said that he has a profound "spirit of nostalgia" for Takarazuka. Not only that, but the performers' large, sparkling eyes also had an influence on Tezuka's art style. Their romantic musicals aimed at a female audience, had a large influence of Tezuka's later works, including his costume designs.

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She frequently took him to the Takarazuka Grand Theater, which often headlined the Takarazuka Revue, an all-female musical theater troupe. Later in life, he gave his mother credit for inspiring confidence and creativity through her stories. His mother's family had a long military history. The Tezuka family were prosperous and well-educated his father Yutaka worked in management at Sumitomo Metals, his grandfather Taro was a lawyer, and his great-grandfather Ryoan and great-great-grandfather Ryosen were doctors.

  • 5 Legacy and influence on manga industryīiography Early life (1928–1945).
  • 1.3 Astro Boy, national fame and early animation (1952–1960).
  • Several animations were in production at the time of his death along with the final chapters of Phoenix, which were never released. A museum was constructed in Takarazuka dedicated to his memory and life works, and Tezuka received many posthumous awards. His death had an immediate impact on the Japanese public and other cartoonists.

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    His output would spawn some of the most influential, successful, and well-received manga series including the children mangas Astro Boy, Princess Knight and Kimba the White Lion, and the adult-oriented series Black Jack, Phoenix, and Buddha, all of which won several awards. Tezuka began what was known as the manga revolution in Japan with his New Treasure Island published in 1947.

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    Though this phrase praises the quality of his early manga works for children and animations, it also blurs the significant influence of his later, more literary, gekiga works. Additionally, he is often considered the Japanese equivalent to Walt Disney, who served as a major inspiration during Tezuka's formative years. Born in Osaka Prefecture, his prolific output, pioneering techniques, and innovative redefinitions of genres earned him such titles as "the Father of Manga" ( マンガの父, Manga no Chichi), "the Godfather of Manga" ( マンガの教父, Manga no Kyōfu) and "the God of Manga" ( マンガの神様, Manga no Kami-sama). 手塚 治, Tezuka Osamu ( )3 November 1928 – 9 February 1989) was a Japanese manga artist, cartoonist, and animator.















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